Scorpion Hill (PUP) // Sommerdrama, 2008. Oil on Canvas
(Markus Matthias Krüger) // Landscape With Fruit Rot And Millipede (Richard Siken) // Mitski, on the In Sight Out podcast // On Fire, 2014. Oil on Canvas (Lauren Cohen) // JUNE IS ON FIRE (angelea l.) // Landscape With Several Small Fires (Richard Siken) // Album cover for PUP’s The Dream Is Over. 2016 (Christopher McKenney) // Brightside (Nate Ruess)
Letter From My Heart To My Brain It’s okay to hang upside-down like a bat, to swim into the deep end of silence, to swallow all the keys so you can’t get out. It’s okay to hear the ocean calling your fevered name
to say your sorrow is an opera of snakes, to flirt with sharp and heartless things. It’s okay to write, I deserve everything, to bow down to this rotten thing that understands you, to adore the red and ugly queen of it, to admire her calm and steady rowing.
It’s okay to lock yourself in the medicine cabinet, to drink all the wine, to do what it takes to stay without staying. It’s okay to hate God today to change his name to yours, to want to ruin all that ruined you. It’s okay to feel like only a photograph of yourself, to need a stranger to pull your hair and pin you down, it’s okay to want your mother as you lie alone in bed. It’s okay to brick, to fuck, to flame, to church, to crush, to knife to rock and rock and rock and rock.
It’s okay to wave goodbye to yourself in the mirror. To write, I don’t want anything. It’s okay to despise what you have inherited, to feel dead in a city of pulses. It’s okay to be the whale that never comes up for air, to love best the taste of your own blood.
Letter From My Brain To My Heart This house is dirty, but comfortable. Behind each crooked door waits the angry weather of a forgiveless child. I cannot help but admire this horrible power of mine, how each small thing can become a death: a lost house key. A spoiled egg. A howling dog. There is no prayer or pill for me. This is a ruthless botany and I might as well be buried in the yard. I have no one to blame. Not the mother who sang to an empty cradle. Not the Dog Of Spite who bit my hand, just this long-legged sorrow who trails my every joy like a dark perfume.
You have my permission not to love me; I am a cathedral of deadbolts and I’d rather burn myself down than change the locks.
“I want to say somewhere: I’ve tried to be forgiving. And yet. There were times in my life, whole years, when anger got the better of me. Ugliness turned me inside out. There was a certain satisfaction in bitterness. I courted it. It was standing outside, and I invited it in. I scowled at the world. And the world scowled back. We were locked in a stare of mutual disgust. I used to let the door slam in people’s faces. I farted where I wanted to fart. I accused cashiers of cheating me out of a penny, while holding the penny in my hand. And then one day I realized I was on my way to being the sort of schmuck who poisons pigeons. People crossed the street to avoid me. I was a human cancer. And to be honest: I wasn’t really angry. Not anymore. I had left my anger somewhere long ago. Put it down on a park bench and walked away. And yet. It had been so long, I didn’t know any other way of being. One day I woke up and said to myself: It’s not too late. The first days were strange. I had to practice smiling in front of the mirror. But it came back to me. It was as if a weight had been lifted. I let go, and something let go of me.”